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Felicity Fenton
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Left by Juliet Gagnon

We think of the word "left" as the act of leaving, of closing the door and saying goodbye, for a little bit, or forever. But left is also being left, in the cold or in the dust. It is abandonment. It is giving up when you don’t know what else to do, when all of the solutions that seem feasible don’t work anymore. To leave is to say no, and also to say yes. To be left is to wonder. Forever.

Juliet Gagnon’s Left pushes and pulls between the leaving and the being left. It weaves the residue of these actions through the body’s memory. What does the body feel when faced with astounding loneliness and confusion in youth? How does the body respond to disgruntled domesticity, marriage, and motherhood? Gagnon beautifully wrestles with these hard questions. She prods and probes relationships in decline. You lean on the horn downstairs. I rush to cover your bad manners with goodbyes and kisses.

Every so often I pick up a book and read the first few lines, then shortly after, the last few lines come with a pang. There is a beginning and an end to this book, but the beginning and the end seem to merge through a deep presence of cacophonous words and the echoed space between what is said and what is not. In that present space I am carried through the storyline and straight into the heart and mind of the narrator. Their woes become mine. Their questions become mine. Their loss and discoveries too. Our cells merge. Our dreams become one. Left, by Juliet Gagnon is this type of book, an extraordinary collection of short prose stories, rough memory patches, and tragic whispers that read like a scream.

Buy Left HERE

tags: Left, Books, Juliet Gagnon, Writers I love
Sunday 03.19.17
Posted by felicity fenton
 

The Dreaming Dirt

Last night's Dreaming Dirt was a tremendous success. A perfect balance of words, images, body, motion, sound, humor, noise, heart and absurdity. Mary Edwards opened up with a virtual performance of her song Time and I . Stevyn Llewellyn made some rather beautiful discordance as microscopic details of waves and blooming flowers flickered behind. Gabriel Liston did live sketches (see below) of both the audience and the performers while sitting in a chair at the corner of the stage. Juliet Gagnon read a stunning prose piece all the way from Eindhoven. Lindsey Allgood considered feminine intimacy with the squeeze-pop of balloons and hand painted eggs. Shane Paulson screened an autobiographical animated video/sound work. Arielle Adkin discussed a new work in process in relation to post-breakup dreams. Stephanie Lavon Trotter looped and weaved operatic vocals through microphones and distortion pedals. Jay Ponteri read from Robert Walser, Mary Ruefle and Jay Ponteri. Gary Wiseman and Hannah Mickunas harmonized with a makeshift capo, eyes closed. Justin Oswald lubed up his body with lotion then climbed in and then out of a giant balloon. Jason Hughes went acoustic with a beautifully quiet folk/pop tune. My co-host, Stephanie Brachmann read two hilarious flash fiction pieces. And my wife, Felicity Fenton with the help of several whirling vacuums, read a list poem about dust. 

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tags: the dreaming dirt, Gabe Liston, The Waypost, Lindsey Allgood, Gabriel Liston, Juliet Gagnon, Mary Edwards, Stevyn Llewellyn, Stephanie Lavon Trotter, Jason Hughes, Shane Paulson, Justin Oswald, Stephanie Brachmann, Arielle Adkin, Jay Ponteri, Gary Wiseman, Hannah Zhalih Mickunas
Monday 09.12.16
Posted by felicity fenton
 

Go outside. Good things happen outside.